Quantcast
Viewing all 1727 articles
Browse latest View live

WELCOME NEW AND RETURNING MEMBERS – JANUARY AND FEBRUARY 2014

Below is a list of new (and returning) HOLA members who joined between January 1, 2014 and February 28, 2014. (Note that "returning members" refer to those members who have returned to HOLA after having their memberships expire for some time and do not  include renewing members.)

Top row, left to rightKarina AlósRoy Ariassecond row, left to rightRicardo BirnbaumMaría Cuarterothird row, left to rightGabriel LugoMarilyn Markfourth row, left to rightFrancisco MuñozEdvin Ortegafifth row, left to rightMaría PeyramaureIleana Piñónsixth row, left to rightFrancisco ReyesKelsey Rodríguezseventh row, left to rightAngie SánchezJay Santiagoeighth row, left to rightNolan SedaXabi Soretninth row, left to rightLisann ValentínRhina Valentínbottom row, left to rightMontserrat VargasMaritza Vives.

















All About Becoming an HOLA Member or A Friend of HOLA


Wanna be an HOLA member? Wanna know more about HOLA first?

HOLA
 is a not-for-profit arts service and advocacy organization founded in 1975.

HOLA members get their headshots and resumes on our web directory. In addition, HOLA receives casting notices from various sources that we pass on to our members (or in specific cases, help refer actors to the casting director).

HOLA offers low-cost workshops and seminars, professional counseling, special events and networking activities. We also produce the HOLA Awards which honor outstanding achievement by Latinos in entertainment.

HOLA has a Facebook page and a Twitter page in addition to this blog (imaginatively titled El Blog De HOLA). Whenever a member is doing a project, we can promote via e-mails we send out, through our Members in Performance page on the website or in El Blog on our HOLA Member Bochinche column (only good bochinche, never bad bochinche). It functions as another outlet to promote your work. HOLA is also on YouTube and on Wikipedia.

What if you are not an actor? You can support HOLA by being a Friend of HOLA. For more information, click here.

To become an HOLA member online (New York metropolitan area), fill out the member application form here.

To become an HOLA member (and you don't live within the NYC metropolitan area), call (212) 253-1015 or (888) 624-HOLA and inquire about our Regional Membership.

To become a Friend of HOLA, click here.

If you have any more questions, check out our FAQ (Frequently Asked Questions) page by clicking here.

We like to think of HOLA as "la comunidad del actor latino." We would love for you to be part of that community. 

Become an 
HOLA member.
Become a Friend of HOLA.

Ya es la hora.
Now is the time.

Why Join HOLA? Frequently Asked Questions (FAQs) About HOLA



Frequently Asked Questions

• 
Is HOLA an agency or management company?
No. While we work similarly to an agency or an artist management company, we do a lot more. In essence, HOLA is a membership organization, a not-for-profit arts service and advocacy organization that offers jobs and casting opportunities, workshops and seminars and special events to its membership.

• 
Does one have to audition for HOLA?
No. HOLA is a membership organization. Just pay the annual membership and you become an HOLA member.

• 
I am a new actor. Does HOLA apply to me? (Or conversely, I have a fair amount of experience. How does HOLA apply to me?)
HOLA members range from the beginner to the established and everywhere in between. HOLA will apply to you at every stage of your career.

• 
Do I have to speak Spanish (or Portuguese) to be an HOLA member?
No. HOLA members speak English only, Spanish only, or both languages fluently. Our Brazilian members speak Portuguese as well as English. There is no requirement for any member to speak Spanish (or Portuguese) to be an HOLA member.

• 
What kind of casting notices do you receive?
HOLA receives all kinds of casting notices— from union and nonunion, through the disciplines of film, television, theater and voiceover. The majority of our notices are distributed to our membership. There are some instances, whether because of short notice or because of the search for something very specific, that HOLA makes referrals to certain talent.

• 
I have signed representation. Would that be in conflict with HOLA?
No. In fact, we would put your signed representative’s name and number on your online profile. It would be another way to promote yourself without conflict.

• 
If I book a job through HOLA, do I owe you a commission?
No. We are not an agency or artist management company. You are under no obligation to give us a commission. (But if you want to show your appreciation with a donation, we’ll be forced to take it, I suppose.)

• 
I am in the process of getting my citizenship. Could I still join HOLA?
Yes. As long as you can legally work in the U.S., you can join HOLA.

• 
Does HOLA have a social media presence?
Yes. We are on FacebookTwitter and have our own channel on YouTube. In addition, we are on Wikipedia and have our own blog, titled El Blog de HOLA.

• 
What if I am not an actor but I like what you do?
You could support HOLA by becoming a Friend of HOLA and donating to the organization. If you are a producer or director, a Friend of HOLA donation allow us to promote your productions!

HOLA Regional Membership Available For Those Outside New York Metropolitan Area


If you are an actor who lives in an area of the U.S. outside of the New York metropolitan area, New Jersey or Connecticut (HOLA's programming and administrative headquarters region), HOLA is proud to announce its Regional Membership level - for only $65 (versus a $125 regular NYC region membership price) for one full year!

As an 
HOLA Regional Member, you'll be entitled to the following member benefits:

• Your headshot, resume, reel and voiceover demo*  showcased on the 
HOLA Pages, the internet's only concentrated source of Latino acting talent. The directory is a trusted resource for casting directors, producers and talent agents receiving, on average, over 5,000 visits per month. (* There is an additional charge 
of $15 for adding your voiceover demo.)

• Your performances listed and promoted via 
HOLA's website and social media pages (Facebook and Twitter) that reaches thousands of people in the entertainment industry.

• Casting notices that will alert you to employment opportunities tailored to the Latino actor.

• Advocacy to combat stereotypes of the Latino/Hispanic community in media and entertainment as well as the opportunity to join in solidarity with the Latino/Hispanic acting community.


Application for regional memberships accepted by telephone order only. Call 
HOLA toll free at (888) 524-HOLA or (888) 524-4652. (VISA, MasterCard and American Express accepted.) Please submit your headshot (in .jpg format) and resume in a Word 
document or in Portable Data Format (.doc or .docx; or .pdf) via e-mail to HOLA.

Banner Ads Now Available on HOLA Website

Wanna promote your upcoming stage production? Your upcoming film screening? Your upcoming special event?

HOLA members often get publicity in our Members in Performance page, but what if you could promote on our main homepage, or in our directory (The HOLA Pages), where more people can see your ad?

What if you had a project with no HOLA members that you wanted to promote?

What if you wanted to promote something that wasn’t a show (like your production company itself or a new website)?

Now you can do so by BUYING A BANNER AD on the HOLA website.

Banner ads come in half-page and full-page sizes and can be on the HOLA website for one week, two weeks, three weeks or a whole month. HOLA can also link your ad to a particular website at no additional cost.

Prices on the banner ads are affordable. Also, not-for-profit organizations receive a 10% discount on ad prices.

The HOLA website receives thousands of visits each month. The HOLA website is viewed by many professionals in the industry and is a unique way of reaching the Latino/Hispanic and mainstream audiences, which make buying a banner ad a smart investment for you.

Wanna buy a banner ad? Call (212) 253-1015 or (888) 624-HOLA or e-mail us for prices and ad dimensions.

HOLA Member Bochinche

Bochinche refers to “gossip”. In this sense, we use it to mention HOLA members or Friends of HOLA who are getting acting, performance or similarly artistic gigs and/or recognition in the media. The names of HOLA members and Friends of HOLA are listed below in boldface. To see what other HOLA members are doing currently, click here.

Rita Moreno, shown at right, and her long storied career shows no sign of slowing down. She will star opposite fellow Academy Award winner Ellen Burstyn, Fred Willard and Natasha Lyonne in the NBC pilot "Old Soul" (executive produced by Amy Poehler, et al.). She will also lend her voice for the role of Mimi in the animated feature Rio 2, which also boast the talents of Academy Award winners Anne Hathaway and Jamie Foxx; Rodrigo Santoro, Leslie Mann, Jesse Eisenberg, Jake T. Austin, John Leguizamo, Kristen Chenoweth, Andy García, Bruno Mars, George López, Tracy Morgan, Janelle Monáe, Will.I.Am and Natalie Morales. The film, written and directed by Carlos Saldanha (based on a story by Don Rhymer), will hit U.S. movie theaters nationwide on April 11, 2014.

Phoenix Ximénez, shown at left, will be acting in Sue Fitzgerald's Kitchen Table Conversations. Directed by Ximénez, the evening of three short plays (Dream Man, A Taste of Knowledge and A Visit to a Medium) also stars Wendy Eaton, Shimeon Nandlal, Chrissy Roberts and Ed Schroeder and will be presented in March as part of the StageFest 2014 at the landmark Loew's Jersey Theatre, located in the heart of the Journal Square area of Jersey City, New Jersey. For more information, click herehere or here.

Raquel Almazán will be performing at Salon SymphoNY 2014. Presented by the League of Professional Theater's Women's International Committee in collaboration with the International Women Artists' Salon, the evening of monologues, poems and songs will pay tribute to the legacy of women's cultural riches with creations from all corners of the globe. The performance will take place on March 8, 2014 (March is Women's History Month in the United States) at Theaterlab, located in the Fashion District of midtown Manhattan.

Vanessa Verduga and her webseries "Justice Woman" has been accepted as an official selection of the Vancouver Web Fest 2014 (VWF), scheduled to take place in the first week of May at the historic Imperial Theater in Vancouver, British Columbia, Canada. For more information, click here, here or here.

Ruthy Otero has released a podcast based on her highly successful series of workshops titled The ABCs of a One-Person Show. To listen to her podcast (or to download it), click here.

If you are an HOLA member or a Friend of HOLA and want to submit a bochinche item, send us an e-mail. If you live in the New York metropolitan area and want to be an HOLA member, why not join? If you live outside the New York metropolitan area and want to be an HOLA member, you can find out more information on how to do so, by clicking here. If you are not a Friend of HOLA, why not become one?

HOLA Member Bochinche

Bochinche refers to “gossip”. In this sense, we use it to mention HOLA members or Friends of HOLA who are getting acting, performance or similarly artistic gigs and/or recognition in the media. The names of HOLA members and Friends of HOLA are listed below in boldface. To see what other HOLA members are doing currently, click here.

Image may be NSFW.
Clik here to view.
Image may be NSFW.
Clik here to view.

Éric-Dominique Pérez and Pablo Andrade, shown above, from left to right, booked a role in a bilingual (English/Spanish) industrial for the Food and the Drug Administration after they received a casting announcement from the e-mail announcements that HOLA sends to its members and self-submitted.

Caridad Del Valle, Anny Gómez de Benítez and Clairet Villamizar will star in Gustavo Ott's Divorciadas, evangélicas y vegetarianas. Directed by Fernando Then and produced by Telón Productions, the play will be presented in March at the IV Festival de Teatro Hispano del Comisionado at El Comisionado Dominicano de Cultura en EEUU in the Washington Heights neighborhood of Manhattan. For more information on the production, click here.

Ramón Hierro and Gustavo Peña will star in the Teatro del Arte production of Jairo Aníbal Niño's La madriguera. Directed by Juan Carlos Mañón, the play will be presented in March at the IV Festival de Teatro Hispano del Comisionado at El Comisionado Dominicano de Cultura en EEUU in the Washington Heights neighborhood of Manhattan.

Gabriel Sloyer is acting in the Andrea Thome play Pinkolandia. Directed by José Zayas, the play also stars Varín Ayala, David Crommett, María Helan, Annie Henk and Andrea Morales. The production started performances in February and will run through March at the Two River Theater at Red Bank, New Jersey.

The newest webisode of "Reasons Y (I'm Single)" has an Academy Awards theme. Titled "Reasons Y: The Oscars Edition", the webseries from Elaine Del Valle (who, in addition to producing, also stars, co-writes and edits) also calls this webisode an "Ode to Luis Antonio Ramos", and the award-winning actor makes a cameo in the webisode as well. To see the webisode, click on the screen image below. For more information, click here.



If you are an HOLA member or a Friend of HOLA and want to submit a bochinche item, send us an e-mail. If you live in the New York metropolitan area and want to be an HOLA member, why not join? If you live outside the New York metropolitan area and want to be an HOLA member, you can find out more information on how to do so, by clicking here. If you are not a Friend of HOLA, why not become one?

Cuarón Wins Best Director as Mexicans Sweep the 2014 Academy Awards

The 86th Academy Awards ceremony, commonly known as the Oscars, presented by the Academy of Motion Picture Arts and Sciences (AMPAS), honored the actorstechnical achievements, and films of 2013 and took place on Sunday, March 2, 2014, at the Dolby Theatre in HollywoodLos Angeles, California. The ceremony was hosted by Ellen DeGeneres.

Alfonso Cuarón made history by becoming the first Latino to win an Oscar for direction, for his film Gravity. It was his second Oscar win; he won his first Oscar of the evening (and his first Oscar in his career) for editing (with Mark Sanger) the same film. [The Hispanic Organization of Latin Actors (HOLA) recognized his talent ten years ago at the 2004 HOLA Awards.] Cuarón was also nominated for Best Picture, but lost that award to Steve McQueen's 12 Years A Slave (starring nominee Chiwetel Ejiofor and Mexican-born Kenyan Best Supporting Actress winner Lupita Nyong'o). Gravity won seven awards out of ten nominations, including one for Mexican-born Emmanuel Lubezki, who won for cinematography. In all, it was a pretty good night for people born in Mexico.


In addition, Areito Echevarria received (along with the team of Colin Doncaster, Johannes Saam, Janne Kohtkanen and Chris Cooper will receive a Special Academy Certificate of Technical Achievement, which was presented as part of the Academy Awards Annual Scientific and Technical Awards presentation, hosted by Kristen Bell and Michael B. Jordan, which took place on Saturday, February 15, 2014, also in Hollywood, Los Angeles, California. To see their acceptance speech, click here (Echevarria speaks at about 02:28 of the video).

Also interesting to note was the win by Robert López (with his wife Kristen Anderson-López) for Best Original Song for their composition "Let It Go" from the film Frozen. The Academy Award win makes songwriter López, of Filipino heritage, the twelfth and youngest recipient of the EGOT– that is winning the Emmy, the Grammy, the Oscar and the Tony awards. He also accomplished this feat in the shortest amount of time (ten years between first and fourth awards). He joins the esteemed company of Richard Rodgers, Helen Hayes, Rita Moreno, John Gielgud, Audrey Hepburn, Marvin Hamlisch, Jonathan Tunick, Mel Brooks, Mike Nichols, Whoopi Goldberg and Scott Rudin. For more information, click here

Over the 86-year history of the Academy Awards, Oscar nominations have been given to Latino/Hispanics from Argentina, Brazil, Chile, Colombia, Mexico, Puerto Rico, Spain, Uruguay and the United States... and not just in acting.

• For a list of Argentine Academy Award winners and nominees, click here.

• For a list of Brazilian Academy Award winners and nominees, click here.

• For a list of Chilean Academy Award winners and nominees, click here.


• For a list of Colombian Academy Award winners and nominees, click here.

• For a list of Mexican Academy Award winners and nominees, click here
.
(This list includes Lupita Nyong'o, who was born in Mexico City, Mexico.)

• For a list of Puerto Rican Academy Award winners and nominees, click here. (This list includes Joaquin Phoenix, who was born in San Juan, Puerto Rico.)

• For a list of Spanish Academy Award winners and nominees, click here.

• For a list of Uruguayan Academy Award winners and nominees, click here.

• For a list of Latino/Hispanic Academy Award winners and nominees from the United States, click here
. (This list includes an Mexican-American, an American of Mexican-Czech heritage, an American of Mexican-Basque heritage, a Cuban-American and a Puerto Rican born in Brooklyn.)

The list of Academy Award winners (as of press time) from Latin America and Spain is below. Multiple Oscar winners from Latin America and Spain include Gustavo Santaolalla (who won two years in a row), Anthony Quinn, Alfonso Cuarón (who won two awards in one night), Emile Kuri (who won two out of eight nominations in an almost thirty year span), Robert Amram (who won two awards in one night), Gil Parrondo, and Pedro Almodóvar.

ARGENTINA
Eugenio Zanetti (art direction); Gustavo Santaolalla [twice] and Luis Enríquez Bacalov (original score); Luis Puenzo and Juan José Campanella (foreign film).

MEXICO
Anthony Quinn (acting) [twice], Lupita Nyong'o (acting) ; Alfonso Cuarón (twice, for direction and editing), Emile Kuri [twice], Brigitte BrochEugenio Caballero and Pilar Revuelta (art direction); Robert Amram (short subject and documentary short subject; the first and only time a film was given Oscars in both categories in the same year); Guillermo Navarro and Emmanuel Lubezki (cinematography); Beatrice de Alba (makeup).

PUERTO RICO
José FerrerRita Moreno and Benicio Del Toro (acting).

SPAIN
Javier Bardem and Penélope Cruz (acting); Gil Parrondo [twice] and Antonio Mateos (art direction); Néstor Almendros (cinematography); Yvonne Blake and Antonio Castillo (costume design); José Luis GarciFernando TruebaPedro AlmodóvarAlejandro Almenábar (foreign film); Pedro Almodóvar (screenplay); David Martí and Montse Ribé (makeup).



BEST FOREIGN LANGUAGE FILM
1982 - Volver a empezar (Spain)
1985 - La historia official (Argentina)
1993 - Belle Époque (Spain)

1999 - Todo sobre mi madre (Spain)
2004 - Mar adentro (Spain)
2009 - El secreto de los ojos (Argentina)

• For a list of Academy Award winners and nominees in the category of Best Foreign Language Film, click here
.

In the case of the Best Foreign Language Film category, the director accepts the award, but the award goes to the producing nation(s).



Report on HOLA After The Curtain: THE HAPPIEST SONG PLAYS LAST

On Thursday, February 27, 2014, the Hispanic Organization of Latin Actors (HOLA) held an HOLAAfter The Curtain event for the Second Stage Theatre production of The Happiest Song Plays Last. The event took place immediately after the performance and the moderator was Louis Perego Moreno (Tío Louie). The play was written by Tony Award nominee and HOLA Award and Pulitzer Prize winner Quiara Alegría Hudes and directed by Tony Award winner Rubén Santiago Hudson. Perego Moreno interviewed Hudes and actors from the production, which included Anthony Chisholm, HOLA Award winner Tony Plana, Armando RiescoAnnapurna Sriram and HOLA Award winner Lauren Vélez. (Director Santiago Hudson, actor Dariush Kashani and Grammy nominated composer Nelson González were unavailable for the event.)

Tío Louie first spoke with playwright Hudes on how a play about a Gulf War veteran-turned-actor called Elliot: A Soldier's Fugue became the first part of what is now dubbed The Elliot Trilogy. The second play, Water By The Spoonful, won the Pulitzer Prize for Drama, making her the first Latina (and second Latino after Nilo Cruz) to win the prize. (The play also won an HOLA Award for playwriting.) With the third and final installment of the trilogy, Hudes set out to make a musically-infused, unabashed nostalgic story. 

He also spoke to actors Chisholm, Plana, Riesco, Sriram and Vélez regarding their feelings about the production. Plana said he knew he had to be in the play after reading a monologue of his character. Vélez remarked on how in a particular scene she connects with González and the other two musicians who were up to that point in the background of the play. Their connection at that point in the play (no spoilers here) helps her deliver a blistering monologue. Sriram tapped into her biracial heritage (she is half-Indian), enabling to easily understand the themes of Hudes's play. Chisholm, like Santiago Hudson an alum of the works of August Wilson, recalled that just as in the oeuvre of Wilson, this play deals with a neighborhood and a family in the broadest sense of the word. With the use of music (referred to as "another character in the play" by Chisholm), a play cycle and a Pennsylvania setting (The Elliot Trilogy takes place mostly in Philadelphia, while August Wilson's plays take place in Pittsburgh), the trilogy resembles Wilson's The Pittsburgh Cycle, but with a Latino family at its core (Wilson received two Pulitzer Prizes for Drama for his plays).

Riesco, as protagonist Elliot, has the unique honor of being the only actor to premiere in all three productions. He said being able to work on this character over the past seven years (when the first play in the trilogy premiered) has been a blessing and that similarly to Elliot and Sriram's character Shar in the play, he is about to embark on a new chapter in his life– fatherhood. His wife, actress Shirley Rumierk, is expecting their first child in a few months. Riesco was also extremely grateful to Hudes for believing in him and casting "this Irish-looking Puerto Rican" in the role of his lifetime thus far. Several of the actors remarked on the beauty of making theater is that one is able to create something new with every performance. Practically everyone on the panel praised Santiago Hudson with his directing duties and how he was able to seamlessly put together musicians with actors in a drama.

HOLA would like to thank Seth Shepsle, Laura DiLorenzo and the rest of the staff of Second Stage Theatre, Tío Louie, Anthony Ruiz, Quiara Alegría Hudes and the actors of the production Water By The Spoonful for making this event such a success.

[Photos on this blog were taken by ARuiz Photography and Alphabeta Photography, respectively. To see more photos from this event, click here.]

The Oscar is Mexican... or is it?

HOLA Member Bochinche

Bochinche refers to “gossip”. In this sense, we use it to mention HOLA members or Friends of HOLA who are getting acting, performance or similarly artistic gigs and/or recognition in the media. The names of HOLA members and Friends of HOLA are listed below in boldface. To see what other HOLA members are doing currently, click here.

Image may be NSFW.
Clik here to view.
Michael Díaz
(also known by his nom de comédieJuan Bago), shown at right, was highlighted in a New York Daily News article which profiled his new webseries "Studio Heads", whose entire first season is available for viewing on Remezcla. To read the article, click here.

Pablo Andrade (see below) will be acting in the Karen Valecillos play Cuentos de guerra para dormir en paz. Directed by Jim Boerlin, the play will be presented in March as part of the IV Festival de Teatro Hispano del Comisionado at El Comisionado Dominicano de Cultura en EEUU in Manhattan's Washington Heights neighborhood. For more information, click here.

Idalmis García, Elena Mohedano and Pablo Andrade (see above) will star in Lope de Vega's El loco por fuerza. Directed by Leyma López, the play also stars Zulema Clares, Antonio Rubio and Fermín Suárez and
will be presented in March as part of the IV Festival de Teatro Hispano del Comisionado at El Comisionado Dominicano de Cultura en EEUU in Manhattan's Washington Heights neighborhood.

Image may be NSFW.
Clik here to view.
Elaine Del Valle
, shown at left, was interviewed by The Arts and Music blog regarding the webseries "Reasons Y (I'm Single)" and its recent webisode on the Academy Awards (and "ode to Luis Antonio Ramos"). To read the article and to see the most episode of "Reasons Y (I'm Single)", which she created, produces, directs, writes and stars, click here. For more information, click here or here.

Barefoot Theatre Company is presenting a workshop presentation of the 
Mel Nieves play In Da Boogie Down. Featuring the poetry of Craig (muMs) Grant and directed (and co-developed) by Paula Pizzi-Black, the presentation is part of that theater company's renowned bareNaked Reading Series and will take place on Thursday, March 13, 2014 at the WestBeth Community Room in Manhattan's West Village. For more information, click herehere or here.


If you are an 
HOLA member or a Friend of HOLA and want to submit a bochinche item, send us an e-mail. If you live in the New York metropolitan area and want to be an HOLA member, why not join? If you live outside the New York metropolitan area and want to be an HOLA member, you can find out more information on how to do so, by clicking here. If you are not a Friend of HOLA, why not become one?

HOLA Member Bochinche

Bochinche refers to “gossip”. In this sense, we use it to mention HOLA members or Friends of HOLA who are getting acting, performance or similarly artistic gigs and/or recognition in the media. The names of HOLA members and Friends of HOLA are listed below in boldface. To see what other HOLA members are doing currently, click here.

Image may be NSFW.
Clik here to view.
The IV Festival de Teatro Hispano del Comisionado is currently taking place throughout the month of March at the Comisionado Dominicano de Cultura in EEUU in Manhattan's Washington Heights neighborhood. As per Spaniard andLatin-American custom, the theater festival is dedicated each year to a living artist. This year, the festival is dedicated to actress Denia Brache (see below), shown at right. For more information about the theater festival, click here (blog is in Spanish).

Joselyn Martínez
 guest-starred on an webisode of "Studio Heads" (see below). For more information, or to see the complete first season (six webisodes) of the webseries, click here.


Image may be NSFW.
Clik here to view.
Michael Díaz (also known by his nom de comédie Juan Bago), shown at left, has been quite busy as of late. Besides creating comedic viral videos and working on "Studio Heads" (the webseries showing its complete first season exclusively on Remezcla that he co-created, co-produced, writes and in which he stars), he is also co-starring in another webseries-- "Henry - A Web Series". Created, written and directed by Alain Alfaro, the webseries stars Jaime Fernández in the titular role. To find out more stuff Díaz- and Bago-related, click here and here.

Johanna Ramírez, shown at rightbooked a role in a bilingual (English/Spanish) industrial for the Food and the Drug Administration after they received a casting announcement from the e-mail announcements that HOLA sends to its members and self-submitted.

Arte y Teatro en Nueva York (ARTENY) wrote a blog about the happenings in Latino theater this winter. Highlighted in the blog written by Héctor Luis Rivera are HOLA members Denia Brache (see above), Éric-Dominique Pérez, A.B. Lugo, Paul Montoya, Caridad Del Valle, Yvette Quintero, Claudio Weisz, Roy Arias, Edna Lee Figueroa, and Juan Villarreal, among others. To read the blog (which is in Spanish), click here.

Judy Torres, shown at left, will be singing as she headlines a solo engagement at The Cutting Room (located in midtown Manhattan). The svelte chanteuse will perform her hits as well as contemporary dance hits and standards as she is backed up by the band Mirage Music as she performs two sets on Wednesday, March 19, 2014. For more information (or to get tickets), click here. Her new single "Beautiful Life" is currently available on iTunes and Amazon for purchase. To buy the single, the cover of which is shown at right, and to listen to a sample of it and its varying remixes, click hereAlso, due to popular demand, she will be one of the headliners of the Freestyle and Old School Extravaganza concert is returning to the world famous Radio City Music Hall. The concert, scheduled to take place on Saturday, June 28, 2014 (tickets go on sale at Friday, March 7, 2014). For more information about this concert (or about where one can see this actress-singer-radio personality next), click here.

If you are an HOLA member or a Friend of HOLA and want to submit a bochinche item, send us an e-mail. If you live in the New York metropolitan area and want to be an HOLA member, why not join? If you live outside the New York metropolitan area and want to be an HOLA member, you can find out more information on how to do so, by clicking here. If you are not a Friend of HOLA, why not become one?

Helming the Bard: Directors Tackle Shakespeare

Image may be NSFW.
Clik here to view.
William Shakespeare (1564-1616), shown at right, remains the world's most popularly produced and published playwright. Somewhere in the world at this moment someone is either reading, rehearsing or performing a work of his. His work has been translated in countless languages, not to mention has been adapted in various ways. At the same time, Shakespeare remains an intimidating task to tackle, be it to produce, direct or act.

HOLA spoke with three directors– Alberto Bonilla, José A. Esquea and Enmanuel García Villavicencio regarding their relationship with the playwright, poet, actor, director and producer often called the Bard of Avon.


What attracted you to the work of William Shakespeare?

Image may be NSFW.
Clik here to view.
Alberto Bonilla.
Alberto Bonilla: That's a very tough question to ask; I feel like he has always been around me. The first play of his I ever read was Macbeth and it was so dark and action-packed it felt like I was reading [J.R.R. Tolkien's] Lord of the Rings, only in iambic pentameter. When I was a teenager, the first really amazing stage versions I saw were in the United Kingdom at the Royal Shakespeare Company. I saw a hilarious Twelfth Night and a powerful and moving Henry V. I just don't remember a time when I didn't think he was amazing. Also as a Latino director and actor, he is one playwright who allows for colorblind casting or flexibility in interpretation.
Image may be NSFW.
Clik here to view.
José A. Esquea.
José A. EsqueaI was introduced to Shakespeare in high school the first two plays I read were Julius Caesar and Macbeth. I had never had a greater challenge understanding something and my teachers told me if I truly wanted to understand the language to read it over and over until it made sense and to read it with a dictionary. Once I started to figure out I love the stories and being transported by the language to another place and time. 

Image may be NSFW.
Clik here to view.
Enmanuel García 
Villavicencio.
Enmanuel García Villavicencio: I remember back in high school after reading so many different plays in Spanish (my main language), I joined the Drama Club and my first play in English was Macbeth. During that time my girlfriend, Xiu Min Li, gave me The Complete Book of Sonnets by William Shakespeare for Valentine's Day. I fell in love with everything that had to do with Shakespeare. I breathed Shakespeare all through high school and [do so] to this day.

What are some of the challenges as a director when tackling Shakespeare as opposed to a play from the 20th (or 21st) century? 

Image may be NSFW.
Clik here to view.
A scene from Richard III,
directed by Alberto Bonilla.
Bonilla: I think every play or project has its challenges that are unique. The most obvious one people always speak about is getting the heightened text to be communicated clearly to the audience. But I have seen several contemporary plays that are not poetic and I can't follow the play or the characters. I think the historical references in Shakespeare (that an audience of  his time would get) are the hardest. Especially when it is a comical moment. Like in all comedy, if a contemporary reference is used then a contemporary audience will find it hilarious while an audience of the future may not get the joke. So part of the challenge and fun is making it work. 
Image may be NSFW.
Clik here to view.
A scene from The Tempest,
directed by José A. Esquea.
Esquea: Other than production expenses at this point it is actually liberating.  The playwright is dead and the property is public domain so there are no limits! 
Bonilla: Another challenge is casting. Shakespeare demands command of voice, body and language. It also calls for plain and simple good acting-- someone who can live out the circumstances in a vivid way and not lose the text. Add to that the fact that you want them to also melt into your ideas and the rest of the cast so that everyone is in the same world. It is so important to have the right team on stage; it does half the job for you.
Image may be NSFW.
Clik here to view.
A scene from Macbeth,
directed by Enmanuel
García Villavicencio
.
García Villavicencio: As directors, we face challenges and I believe that is the main reason I do what I do. I particularly don't see much difference when directing William Shakespeare, Federico García Lorca, Abniel Marat, Dario Fo, etc. What I do is work with the energy of creation, the same energy that comes from God. I create as an artist. I see something that was masterfully done, I read it several times until I am able to tap into the fountain of creation that the writer used to create that masterpiece. I grasp the soul of the work and then begin to reshape it, bringing to life what I want to transmit through this play. As a director I don't believe I should do something just to do it, there has to be a meaning and a point of view that I want the audience to leave with. Some say that directing plays like Macbeth is difficult because they require large casts and complicated wardrobes, and while all of this needs to be taken into consideration when choosing a play, what's the fun of doing this work if we don't have challenges? On April 23, 2014 in honor of William Shakespeare’s 450th birthday, Reyes y Reyes will open-- a musical based on Shakespeare's Twelfth Night, or What You Will. I won’t say much about the production other then I just wanted to honor "The Bard of Avon”.

How do you tackle the text with your actors? 
Image may be NSFW.
Clik here to view.
Rehearsal for Romeo and Juliet,
directed by José A. Esquea.
Esquea: We read, read, and then read again. The truth is that is not that complicated. You read, read, and read again. Then you recite, recite, and recite it again.
Bonilla: It is my belief that working on text with an actor is a two-way street. As a director, I try to respect all methods and ways of working. Off-Off Broadway presents a unique challenge when you're doing an AEA showcase contract in which you can only rehearse for five weeks and then you open. If you're in a show with a huge budget and your actors are not waiting tables and you can have them for eight hours a day and they are getting health insurance with six weeks of rehearsals and a week of previews then you approach it differently. You can sit at a table and take more time with table work. Those who are in the indie-theater world don't have that luxury. So I cast actors who can do all the other homework. Actors who can go off and look up words, figure out the scansion, memorize the lines quickly, etc.--  more technical responsibilities. My first priority is to get my cast all in the same world and to truly help them personalize the text so that when they speak they are speaking from their hearts, so the text has real meaning and not is not simply heightened and clever, yet empty. My biggest pet peeve is hearing Shakespeare that is
Image may be NSFW.
Clik here to view.
Rehearsal for Macbeth,
directed by Alberto Bonilla.
empty of humanity, of a personal connection or experience. I am lucky to have an amazing cast that worked so hard outside of rehearsals, even meeting outside of rehearsal time on their own to run scenes. They took initiative and met to run scenes so they could then bring me ideas. Actors need to take responsibility and have artistic integrity but also artistic character. Character is what you do when no one is watching. This cast has excellent character and so we can push the text and play and risk in the world because they are meeting me halfway.

Image may be NSFW.
Clik here to view.
Rehearsal for Los amantes del
Alto Manhattan
, based on
Romeo and Juliet,
adapted and directed by
Enmanuel García Villavicencio.
García Villavicencio: Well first of all [when I direct a version of the play in Spanish], I do the translation and adaptation of his work, so what my actors are working with is the adaptation. Shakespeare in Spanish is immediately different from the work done in the English language; but nevertheless, I respect his work and try to maintain the essence of his work. Once the scripts are given to the actors we begin the process of reading and understanding what we are working with. I try to make sure that the actor has a full understanding of his character, what the objective of the play is and what each character wants to accomplish. I have found that when directing Shakespeare part of my work is teaching-- it shouldn't be, but it is. The text in Shakespeare is everything. My actors need to understand that and so they do.

In what ways have you tried to make your production(s) seem new and fresh for a contemporary audience?
Image may be NSFW.
Clik here to view.
A scene from Macbeth
directed by Enmanuel 
García Villavicencio.


García Villavicencio: I transform his work to be as understandable and appealing to my audience as possible. Attempting to show that while the language, names, and clothing may be different the underlining issues are still as relevant today as they were hundreds of years ago. I always want his work to be organic, pure, and raw, for the audience to love his work as much as I do. I believe that with Macbeth, the Romeo and Juliet adaptation I did, entitled Los amantes del Alto Manhattan, I accomplished just that. Reyes y Reyes, based on Twelfth Night, I think will show that a Shakespearean production can be both appealing to a contemporary audience while still maintaining the spirit, the message, and ideas that Shakespeare wanted to express in his work. Bottom line is if you understand the true essence of Shakespeare, then you realize that while there may be additional challenges associated with its production, its direction is not that difficult. 
Image may be NSFW.
Clik here to view.
A scene from Macbeth
directed by Alberto Bonilla.
Bonilla: The vision for my latest production, Richard III, sets our tale in London circa the 1980s in the punk music industry. Raw, primal punk rockers of the night used any means necessary to gain control over their empire. Richard (played by Richard Mazda) is an aging punk rocker who is trying to stop the inevitable change within the music industry. The audience will be transported back to a time and place of a real punk club
Image may be NSFW.
Clik here to view.
A scene from Macbeth,
directed by
José A. Esquea.




known as the Roxy. A live punk band on stage will be incorporating music from The Clash, Sex Pistols, The Ramones and many more punk bands of the era. 
Esquea: Initially I found it necessary to justify why we as people of color could exist in this universe.  Now I have come to accept that we have always existed and I do not need to justify why we are there I just need to tell a good story.  


About The Directors
Alberto Bonilla is a director, actor, writer, fight choreographer and teacher. His NYC directing credits include Boy Steals Train (78th Street Theatre Lab, Edinburgh Fringe Festival); Walking To America (also playwright, 78th Street Theatre Lab); Look Back in Anger, Three Points Over the Vig, Leaving Lilly, Servant of Two Masters, Raft of the Medusa, and Macbeth (all at the Secret Theatre). He has a Bachelor of Arts degree in theatre from ASU and a Master of Fine Arts in acting from Rutgers University/Mason Gross School of the Arts. He also studied at the British Academy of Dramatic Art (BADA) in Oxford, England. He is Associate Artistic Director of The Queens Players at The Secret Theatre and the Head of Film and Television at Maggie Flanigan Studio. His play, Walking To America, was published in Plays and Playwrights 2005, an anthology of off- and off-off-Broadway plays (NY Theatre). Other written works include: Nonnie, Big Black Mexican Woman, #69, El Conejo and PS 357. Member of AEA, SAG-AFTRA, HOLA, NALAC and NALIP. His next directing project is Bruce Graham's Coyote on a Fence at Urban Stages. The production of William Shakespeare's Richard III (which he directed) is currently running at the Secret Theatre. For more information, click here.


José A. Esquea has directed and produced the Shakespeare plays Hamlet, Othello, Macbeth, Romeo and Juliet (for which he won an HOLA Award) and The Tempest with TTO Entertainment/Soñadores Classical Theater Company, where he is the co-founder and  Executive Artistic Director. With the same company he produced a production of Shakespeare's King Lear. He was artistic director of Teatro LATEA from 2006-2013. During his tenure there, he was responsible with resurrecting the much beloved brand of Teatro LATEA to its audience base and expanding it to a much broader audience. Other directing credits include the plays Is There Room in Your Heart?, La LloronaAngels Without Wings/Ángeles sin alas, Jeannie Sol's Holiday CabaretGrowing Up Gonzales and Tango Fever. He is a graduate of Skidmore College with a double major in Business and Theatre. Essays on his approach to directing Shakespeare with multicultural casts have been published in the textbooks Weyward Macbeth: Intersections of Race and Culture (Palgrave MacMillan) and Shakespeare in America (Oxford Shakespeare Topics). In 2013, he was selected to be part of the Stage Directors and Choreographers Foundation Broadway Observership program for emerging directors. He will direct a Shakespeare production in the fall of 2014. His proudest achievement to date is being a father to a son and daughter. For more information on TTO Entertainment, click here.


Enmanuel García Villavicenciois a communicator, writer, director, actor and producer. He is the founder of E3OUTLAWS PRODUCTIONS Co., Inc. and of the eARTh and Lorca Al Desnudo Theatre Festivals. A theater and communications graduate from LaGuardia Community College, he later studied at the Raúl Juliá Training Unit of the Puerto Rican Traveling Theatre and is constantly in search of learning new techniques and methods. His most recent directing credits include Federico García Lorca's La casa de Bernarda Alba and Bodas de sangre”; Abniel Marat's Binomio de violencia: El olor de los machos/El olor de las hembras and Tabú; Shakespeare's Macbeth and an adaptation of Romeo and Juliet, titled Los amantes del Alto Manhattan; Dario Fo's No hay ladron que por bien no venga and The Virtuous Burglar; Deidania Peña's Between Hallways; Marilyn Cruz's Remembering Williamsbridge; Lee Partson's Waiting For You; Ariana Matos' My Mother's Brain; Michelle Rivera's Fall; and the solo shows La consulta, El regalo and You Are Confused!, among others. As an actor, he has worked in television, film and theater. He has written several plays and a feature film. He has received ATI Awards in 2010 and 2011 for direction and an ATI in 2014 for production; he has also received ACE Awards in 2010 and 2013 for direction. Reyes y Reyes, his musical adaptation of Shakespeare's Twelfth Night, or What You Will, will premiere April 23, 2014 at the Red Carpet Theater. For more information, click hereorhere.




HOLA Member Bochinche

Bochinche refers to “gossip”. In this sense, we use it to mention HOLA members or Friends of HOLA who are getting acting, performance or similarly artistic gigs and/or recognition in the media. The names of HOLA members and Friends of HOLA are listed below in boldface. To see what other HOLA members are doing currently, click here.

Image may be NSFW.
Clik here to view.
Monte Bezell, shown at right, booked a gig on the television pilot "Sangre Negra".

Sandy Hernández booked a role in the television series "My Dirty Little Secret" (Investigation Discovery).

Vivienne Jurado is starring in the film Dirty Shield (directed by Edgar Jimz). The film is hitting the film festival circuit-- the first two stops for the film are the Bare Bones International Film Festival in April in Muskogee, Oklahoma and the Buffalo Niagara Film Festival in May in Buffalo, New York.

Chanteuse-comedienne Jeannie Sol will be co-headlining, along with Sugga Pie Koko, the Sunday brunch at Mamajuana's Upper West Side restaurant in Manhattan on March 9, 2014.

Nicole Colina is starring in Harry Kondoleon's The Fairy Garden. Directed by Michael Piatkowski, the play is produced by Or Else! Productions will have a March run at ACA Galleries in the Chelsea neighborhood of Manhattan. For more information, click here.

Allison Strong will be acting in the Robert Sternin and Prudence Fraser play Under My Skin. Directed by Kirsten Sanderson, the comedy will run in April and May at the Little Schubert Theatre on famed West 42nd Street in the theater district of midtown Manhattan. For more information, click here and here.

Linda Nieves-Powell's short film Stereotypically Me (starring Andrea NavedoLiza Colón-Zayas and Elaine Del Valle) recently had its online premiere. Click on the video below to see it (caution-- some strong language).

Stereotypically Me - a short film about a writer who must break up with her muse. from ODDGIRLIN on Vimeo.

If you are an HOLA member or a Friend of HOLA and want to submit a bochinche item, send us an e-mail. If you live in the New York metropolitan area and want to be an HOLA member, why not join? If you live outside the New York metropolitan area and want to be an HOLA member, you can find out more information on how to do so, by clicking here. If you are not a Friend of HOLA, why not become one?

HOLA Member Bochinche

Bochinche refers to “gossip”. In this sense, we use it to mention HOLA members or Friends of HOLA who are getting acting, performance or similarly artistic gigs and/or recognition in the media. The names of HOLA members and Friends of HOLA are listed below in boldface. To see what other HOLA members are doing currently, click here.


Marco Antonio Rodríguez's play Barceló con hielo will have its world premiere at Repertorio Español (located in the Rose Hill neighborhood of Manhattan) in June. The play was the 2012 winner of the MetLife Nuestras Voces Playwriting Competition. The play by Rodríguez, shown at right, will be directed by José Zayas. Casting will be announced soon. For more information about the production, click here

Mafer Rodríguez, Noëlle Mauri and Sandor Juan star in iShow NYC Productions' presentation of Gustavo Ott's Passport. Directed and designed by Alfonso Rey, the play is being presented in March as part of the IV Festival de Teatro Hispano del Comisionado in El Comisionado Dominicano de Cultura en EEUU in Manhattan's Washington Heights neighborhood.

Yolanny Rodríguez will be starring in La función. Produced by Carixtos Productions, the play is written by Ramón Antonio Matrillé, directed by Anderson Mendoza and be presented in March as part of the IV Festival de Teatro Hispano del Comisionado in El Comisionado Dominicano de Cultura en EEUU in Manhattan's Washington Heights neighborhood.

Laura Riveros can soon be seen in Donde hubo fuego. Based on the myth of Clytemnestra and a short story by Marguerite Yourcenar, it is adapted and directed by Ramiro Antonio Sandoval and produced by Tabula Rasa NYC Theater and Performance Lab. The dance-theater piece will feature live music and be presented in March as part of the IV Festival de Teatro Hispano del Comisionado in El Comisionado Dominicano de Cultura en EEUU in Manhattan's Washington Heights neighborhood.

If you are an HOLA member or a Friend of HOLA and want to submit a bochinche item, send us an e-mail. If you live in the New York metropolitan area and want to be an HOLA member, why not join? If you live outside the New York metropolitan area and want to be an HOLA member, you can find out more information on how to do so, by clicking here. If you are not a Friend of HOLA, why not become one?

From CBS Diversity: Writers Mentoring Program


Writers Mentoring Program

Making an Impact: In its ten years, a total of 60 emerging diverse writers have graduated from the CBS Writers Mentoring Program. 29 careers have been launched. The goal of the program is to positively impact the presence of diverse writers throughout the industry.

How it Works

There are many different paths writers can follow to get their first foothold in being hired in television. As part of its ongoing commitment to create additional access for writers of diverse backgrounds CBS' Diversity Institute has launched a different kind of writers program which highlights one of those paths.
The focus of this six month program is on opening doors: providing opportunities to build relationships with network executives and show runners; to support new and emerging writers in their efforts to improve their craft; and to develop the interpersonal skills necessary to break in and succeed.
The Writers Mentoring Program is not employment and there is no monetary compensation. It is, instead, a structured program of career development, support, and personal access to executives and decision-making processes, with the goal of preparing aspiring writers for later employment opportunities in television.
Each participant will be teamed with two different mentors.
  • One is a CBS network or studio executive with whom they will meet on a regular basis, to discuss their work, get creative feedback on their material and get advice and support in furthering their career.
  • The other is a show mentor who is a senior-level writer on a current CBS drama or comedy series. This relationship builds over the course of the Program and is focused on helping the participant with creative feedback on their writing as well as help and advice on career goals.
Once a week, participants will be invited to attend a small workshop-style meeting with various CBS show runners and other industry professionals. Speakers include executive producers, agents, managers, development and current executives and others. The purpose of these gatherings is for participants to gain a better understanding of how the business works from many different perspectives as well as creating the opportunity to make critical networking connections.
Another important part of the Program is the opportunity for each participant to spend time observing in their show mentor's writing room, as well as in the CBS current and development departments.
Each participant will have help in creating a rigorous career action plan and there will be on-going support in evaluating and achieving those goals. Another important benefit of the Program is the development of a close-knit peer support group that will sustain participants through the program and beyond.
The CBS Writers Mentoring Program helps aspiring writers to understand the unwritten rules of breaking in and moving up. It is a combination of mentoring and networking opportunities. Program opportunities such as mentoring, workshops, and observing can be scheduled around participants' existing work commitments. In order for a participant to get the most out of the Program a meaningful commitment of time and effort are required.

It's been found that in order to derive the greatest benefit from the Program, participants should be available to 1) attend a once a week (evening) workshop and 2) attend meetings or observe in various situations for a minimum of five full days (not necessarily in sequence) over the course of the six-month Program.

Eligibility

The primary focus of The CBS Diversity Institute’s Writers Mentoring Program is to provide access and opportunities for talented and motivated diverse writers. Aspiring diverse writers with a strong desire to write for CBS television series are encouraged to apply. You must be 21 or older to be eligible.
SUBMISSION PERIOD OPENS MARCH 3RD 
All completed application materials must be received between March 3, 2014 and May 1, 2014. Any submissions received before March 3rd or with a postmark after May 1st, 2014 will not be considered. No hand delivered submissions will be accepted. Finalists will be notified in mid September 2014 (or such later date as may be determined by CBS). The Program is scheduled to begin in late September 2014 and continues through April 1, 2015. CBS reserves the right to make adjustments to Program schedule.

Application Materials

Each submission must be complete in order to be considered. A complete application packet includes:
  1. Application
  2. Letter of Interest
  3. Work Resume or Bio
  4. Two (2) Writing Samples: one (1) half-hour or one-hour episodic spec script based on a current prime time television series which aired new episodes during the 2013/2014 season on any network or cable channel and (1) original work of writing - Pilot scripts are now accepted - (original pilot, screenplay, stage play or short fiction story). Original material should match in tone the spec script.
  5. A signed and notarized Submission Release form for the writing samples.
Contact information must include an e-mail address for further communication from CBS.
Applications cannot be processed until they are complete.
Writing samples will not be returned.
Mail the completed packet to:
CBS Diversity Institute,
Writers Mentoring Program
4024 Radford Avenue
Broadcast Center, 3rd Floor
Studio City, CA 91604 
           ~ 2015 Writers Mentoring Program ~                              
Application Instructions
Submission Period: MARCH 3, 2014 - MAY 1, 2014                    

Application Materials

1) Application
Please download the Application Form on this page and print or type your information. Be sure to include e-mail contact information, as this is necessary for any further communication from CBS. Inquiries should be made via email, rather than telephone.

2) Resumé or Bio
Please include an up-to-date work resume or bio.

3) Letter of Interest
Your letter should be addressed to the CBS Writers Mentoring Program and will be used to evaluate your personal qualifications for participation in the Program. Please tell us why you should be selected as a part of the Program and what talents and personal qualities you have to offer as part of a future writing staff on a television show. Include a few lines about the value of your diverse voice as a writer, and its impact on television writing. PLEASE keep your letter to one typewritten, double-spaced page.

4) Writing Samples
The CBS Writers Mentoring Program is seeking creative, talented and highly motivated individuals to participate. In order to evaluate a writer's originality, one (1) original writing sample is required. PILOT SCRIPTS ARE NOW ACCEPTED. This can be an original pilot, screenplay, a stage play or a short fiction story. We request that your original sample be similar in tone to your spec sample.  In order to evaluate a writer's ability to capture the tone and structure of an existing television show, one (1) episodic writing sample is required. The writing sample can be either a half hour or an hour episode, based on a primetime drama or comedy series which aired new episodes, on any network or cable channel, during the 2013-2014 television season.

It is strongly recommended that all writing samples be registered with the Writers Guild of America, west, Inc. or the Library of Congress. For information on registration of material at the Writers Guild of America go to www.wga.org or contact the Intellectual Property Registry department at (323)782-4500. To contact the United States Library of Congress, go to www.copyright.gov or call (202)707-5959.

5) Submission Release Forms
A completed, signed and notarized release form MUST be included, otherwise your submission will not be processed. Please download the Submission Release Form here. The form must be signed and notarized.
Applications cannot be returned.

Application Process

Writing samples must be submitted in PDF file format (Acceptable digital formats: "Thumb drive", "flash drive", "USB drive", or CD). 
Application packets should be sent to: 
CBS Diversity Institute
Writers Mentoring Program
4024 Radford Avenue
Broadcast Center, 3rd floor
Studio City, CA 91604
All Submissions Must Be Mailed. No Hand Deliveries Will Be Accepted. All applications must include an e-mail address in order to receive further communication from CBS. If any of the application items are missing, the application will not be processed. Finalists will be notified in mid September, 2014 and a personal interview will be scheduled shortly thereafter.  The 2015 Writers Program is scheduled to begin in late September 2014 and continues through April 1, 2015.

Participation in the CBS Writers Mentoring Program in no way guarantees future employment.
* Or such later date as to be determined by CBS.
For more information, including FAQs, click here.

HOLA Member Bochinche

Bochinche refers to “gossip”. In this sense, we use it to mention HOLA members or Friends of HOLA who are getting acting, performance or similarly artistic gigs and/or recognition in the media. The names of HOLA members and Friends of HOLA are listed below in boldface. To see what other HOLA members are doing currently, click here.

Mel Nieves, shown at right, is starring in Papi's Promise. The film, written and directed by Félix Rojas, has completed post-production will hit the film festival circuit soon. For more information, click here.

Darío Gómez is performing with the band Vidales at Falucka Lounge in the Nolita area on Monday, March 10, 2014.

Ruthy Otero's self-penned solo show Dancing With My Demons was selected to be an official selection of The One Festival, to take place at The 4th Street Theater in Manhattan's East Village.

Flor Bromley booked and shot a Spanish-language commercial for Voxy, an internet program used to teaching English.

Milteri Tucker and Cedric Leiba, Jr. will be performing with Tucker's Bombazo Dance Company on Sunday, March 9, 2014 as part of the BAAD! Ass Women Festival at the Bronx Academy of Arts and Dance in the Westchester Square area of the Bronx. For more information, click here or here.

If you are an HOLA member or a Friend of HOLA and want to submit a bochinche item, send us an e-mail. If you live in the New York metropolitan area and want to be an HOLA member, why not join? If you live outside the New York metropolitan area and want to be an HOLA member, you can find out more information on how to do so, by clicking here. If you are not a Friend of HOLA, why not become one?

NALIP, Tío Louie, HOLA and ULP present the PRIME LATINO MEDIA SALON (February-March 2014)


“Featuring projects & insights from some of the best Latino artists”

Join us in celebrating Spanish Harlem at the

PRIME LATINO MEDIA SALON
Thursday, March 13, 2014 • 6-8:30pm
Metro-New York’s only monthly series for Latino multimedia-makers & actors

FOUR LATINO ACTORS TURNED 
PRODUCER-DIRECTORS
One new directive to actors has been, “If you can’t find work, create projects that showcase your talent.” Then there are the ones whose talents have evolved to calling the shots behind the camera. Experience storytelling magic by people who know what it is to be in front of the camera with behind-the-scenes crafting. We screen work by four diverse Latinos who share their pearls of wisdom, journey and how they have overcome challenges to successfully produce. Join us as the movement continues!

Date & Program Schedule: Thursday, March 13, 2014 • 6-8:30pm
6pm: Arrival & Networking
6:30-7:30pm: Live recording for TV broadcast on Manhattan Neighborhood Network
7:30-8:30pm: Networking

   Moderator: Louis E. Perego Moreno (Tío Louie), President, Skyline Features
      Adel L. Morales: Writer/Director/Producer/Editor of the webseries, Pushing Dreams
      Mónica Walter Palmieri: Producer/Lead Actress of the short film, Derailing
      Luis Caballero: Director/Writer of Spanish-language feature film El Color de la Guayaba (The Color of Guava)
      Adrian Manzano: Director/Writer/Actor of the feature film Sex, Love & Salsa

FREE ADMISSION/RSVP required:http://plmactprod.eventbrite.com
Venue & location: El Barrio Firehouse Community Media Center, 175 E. 104th Street (between Lexington & Third avenues), NYC



Adel L. Morales
A former high school English teacher of 17 years, he co-founded HollyHood Productions in 2004. He is known for making a series of urban short films delving into moral dilemmas: The Reckoning, Repentance and Trouble Child. Already a SAG-AFTRA member, he became the President of NALIP-NY in 2008 and in 2011 appeared in the critically-acclaimed feature film Gun Hill Road, which premiered at Sundance. He wrote, directed, & produced HollyHood’s fourth short film, Promises Promises, in 2011. He is currently working on his second master’s degree at NYU’s Film School; his work there includes Have Knot(his first NYU short film) & Missing Grandma (his second NYU short film). He is in post-production for The Watermelon Lesson, Some Last Day and Since I Laid Eyes (the last his third NYU short film). He recently launched his webseries, Pushing Dreams, and is developing a horror feature, The Congregant.


Mónica Walter Palmieri
Born in Guatemala and fluently bilingual, she is a Lee Strasberg Theatre and Film Institute NY alumna, and affiliated with the Marcelle Bonge Ballet Company, where she danced for 16 years. However, she’s taking New York over by storm in the production world. In 2013 she line-produced the feature film Split with award-winning director Deborah Kampmeier. She directed and co-produced her second short film Complete Sentences, and produced and acted in the short film Derailing. Her directorial debut, Black Hole (2012), is an Official Selection of the Corto Circuito Short Film Festival New York and Ícaro International Film Festival. In 2013, she became part of the Labyrinth Theatre Workshop Ensemblewhere she directed her first onstage show, I Just Want To Look Good Naked.


Luis Caballero
He is an acclaimed writer, actor, as well as theater and film director who has directed extensively in his native Puerto Rico, New York City, Los Angeles, and San Francisco. Among his directing credits are María, No Exit, The House of Bernarda Alba, Don Quixote, Bedtime Stories: The Musical, Resurrection (commissioned by the Commonwealth of Puerto Rico), Puerto Rico…¡fuá! (HOLA Award for Outstanding Achievement in Direction), Lorca Federico Lorca, and La Lupe: My Life and My Destiny (Puerto Rican Traveling Theatre, NYC). His credits as a film director include La Gringa: A Tale of a Townand El Color de la Guayaba, which won the Rincón Film Festival and was selected for the Chicago International Film Festival, among others. He is currently working on his next film El Monaguillo. His latest show is the Off-Broadway production DC-7: The Roberto Clemente Story.
  
Adrian Manzano
As an actor, he was a nominee at the American College Theatre Festival. He has worked with various theaters in New York, including INTAR, ID Studio, Teatro LATEA. His first feature as writer/director/actor, Sex, Love & Salsa is about a womanizing salsa dancer. The film has gone on to win numerous awards at various festivals including the Audience Award at the Harlem Film Festival and Best Film & Best Actor at Reel Independent Film Extravaganza. The feature was also part of the official selection of the Chicago Latino Film Festival. The film was admitted to the Guadalajara Film Market 2014. He is currently in pre-production for a black comedy about a recent college graduate and her family, as well as a romance/drama set in the Dominican Republic about sexual tourism and male prostitution.

Tío Louie (Louis Perego Moreno) [Host]
An Interactive Content Producer & Educator who for 32 years has owned Skyline Features, a bilingual multimedia and educational production company developing documentaries, television programming and advertising commercials featuring Latinos, Blacks, Women, Urban Youth and LGBT. He has trained 1,500 Latino & African American youth over 10 years to produce 70 documentary shorts. For documentary features he was the Producer/Director of Latina Confessions (2010) and co-producer of American Dreams Deferred (2013) on PBS.

Next PRIME LATINO MEDIA SALON: “Comedy,” Tuesday, March 25, 2014
Become a member of:
       National Association of Latino Independent Producers (NALIP)
                   www.nalip.org
       Hispanic Organization of Latin Actors (HOLA) www.hellohola.org
       United Latino Professionals (ULP) http://www.unitedlatinoprofessionals.org


#SupportLatinoWork -- Opening in U.S. movie theaters March 28, 2014: CÉSAR CHÁVEZ

César Chávez is an upcoming film written by Keir Pearson and Timothy J. Sexton (based on a story by Pearson) and directed by Diego Luna about the life of American labor leader César Chávez, who cofounded the United Farm Workers. The film stars Michael Peña as Chávez. John Malkovich co-stars as the owner of a large industrial grape farm who leads the opposition to Chávez's organizing efforts. The film also stars América Ferrera (as Helen Chávez), Rosario Dawson (as Dolores Huerta), Yancey Arias, Wes Bentley, Mark Moses, Jacob Vargas and Gael García Bernal.

The film follows Chávez's efforts to organize 50,000 farm workers in California, many of whom were braceros—temporary workers from Mexico permitted to live and work in the United States in agriculture, and required to return to Mexico if they stopped working. Working conditions are very poor for the braceros, who also suffer from racism and brutality at the hands of the employers and local Californians. To help the workers, Mexican American César Chávez (Michael Peña) forms a labor union known as the United Farm Workers (UFW). Chávez's efforts are opposed, sometimes violently, by the owners of the large industrial farms where the braceros work. The film touches on several major nonviolent campaigns by the UFW: the Delano grape strike, the Salad Bowl strike, and the 1975 Modesto march.


The film is produced by Luna, García Bernal, Pablo Cruz, Malkovich, Lianne Halfon, Russell Smith, Pearson and Larry Meli through Canana Films and Participant Media and distributed by Panorama Media. The film is scheduled for nationwide release throughout the United States on Friday, March 28, 2014. For more information, click here or here.




OPENING IN MOVIE THEATERS
 
NATIONWIDE IN THE U.S.

FRIDAY, MARCH 28, 2014

SUPPORT LATINO WORK. 
#SupportLatinoWork


HOLA Member Bochinche

Bochinche refers to “gossip”. In this sense, we use it to mention HOLA members or Friends of HOLA who are getting acting, performance or similarly artistic gigs and/or recognition in the media. The names of HOLA members and Friends of HOLA are listed below in boldface. To see what other HOLA members are doing currently, click here.

Image may be NSFW.
Clik here to view.
Michael Díaz (also known by his nom de comédie Juan Bago), shown at right, was interviewed for Manhattan Times, where he spoke about the webseries "Studio Heads", in which he also stars. Created by Díaz, Jaime Fernández and Anthony Palmini, the webseries follows self-proclaimed "internet sensation" Juan Bago and his associates as they create a production company. The first season of the webseries will air its six episodes online on Remezcla TV. To read the article, click here.

Image may be NSFW.
Clik here to view.
Joel Pérez, shown at right, booked a role in a first season webisode of the webseries "Becoming Ricardo". For more information, click here. In addition, he will be in Hey Yo! Yo Soy! A theatrical-musical work based on the poetry of Jesús Papoleto Meléndez, the production is produced by Pregones Theater-Puerto Rican Traveling Theatre, will be directed by Rosalba Rolón (with original music by Desmar Guevara and choreography by Yaraní del Valle Piñero) and will take place in April at the Puerto Rican Traveling Theatre, located in the theater district of midtown Manhattan. Also in the cast is Chad Carstarphen, Rosal Colón, Jesús E. Martínez (see below), Flaco Navaja and Yaritza Pizarro. For more information, click here.

Image may be NSFW.
Clik here to view.
Andrea Navedo, shown at right, was cast in the CW pilot "Jane The Virgin", which itself is based on the Venezuelan telenovela "Juana la virgen". For more information, read the Deadline article about the pilot by clicking here.

Repertorio Español and Boundless Theater Company teamed up to present Gabriel García Márquez's Crónica de una muerte anunciada. Directed by Jorge Alí Triana, the play was presented in March at the Centro de Bellas Arts in Guaynabo, Puerto Rico. The cast included Gerardo Gudiño, Eric Robledo, Soraya Padrao, Gredivel Vásquez, Fulvia Vergel and Teresa Yenque.

Image may be NSFW.
Clik here to view.
Caridad de la Luz (also known by her nom de musique et de poésieLa Bruja), shown at left, will be one of the feature performers of the Babble in the Bronx poetry event. The event will take place on Friday, March 21, 2014 at Pinstripes Sports Bar and Grill in the Castle Hill section of the Bronx. For more information, click here.

Pregones Theater and LaMama E.T.C. will engage in a virtual exchange of rhythm and movement. Along with beatboxers of the American Human Beatbox Festival, the Pregones Ensemble will perform on Sunday, March 16, 2014 on their respective stages (LaMama in Manhattan's East Village and Pregones in the Bronx's Mott Haven) and be streamed online through Pregones' website. Omar Pérez (see below) will direct a cast that will include Jesús E. Martínez (see above), Flaco Navaja, Sean Carvajal, Yaraní del Valle Piñero, Antonio Vargas and Yaritza Pizarro. After the streamed performances, both companies will take the train and meet at the 125th Street Station at Lexington Avenue for an open jam session. For more information, click here

In addition, Omar Pérez (see above) will be performing his self-penned solo show Rhapsodia at The ONE Festival in April. Performances of the show, directed by Mino Lora, will take place at the Fourth Street Theater in Manhattan's East Village neighborhood.

If you are an HOLA member or a Friend of HOLA and want to submit a bochinche item, send us an e-mail. If you live in the New York metropolitan area and want to be an HOLA member, why not join? If you live outside the New York metropolitan area and want to be an HOLA member, you can find out more information on how to do so, by clicking here. If you are not a Friend of HOLA, why not become one?
Viewing all 1727 articles
Browse latest View live